Trained at NASDA in New Zealand, Belinda is as an actor, writer, director and children’s drama teacher based in Melbourne.

Known for her immensely hard work and excellent comic timing, Belinda’s recent acting highlights include: the hilarious Meryl, Mary and Winsome monologues in Bombshells, Ginny in the epic prison play Outside In, evil villain The Waster in A Hero’s Guide to Saving the Planet and Macbeth in a gender-flipped production if the same name.

​Co-founder and Artistic Director of Wit Incorporated theatre company, she also runs their children’s drama program, Wit Kids, bringing affordable after school drama to primary aged children.

Belinda’s directing credits include How I Met My Dead Husband, Westerly, Ophelia Thinks Harder, A Scandal in the Weimar and Couch Potato.

She’s written a number of plays, five of which have been staged. ​Fairy Tale News and A Hero’s Guide to Saving the Planet are published by Australian plays, and I Am A Monster was shortlisted for NZ Playmarket’s 2018 Plays for the Young Competition.

Gemma is an actor, writer and director. Since graduating the full-time course at Howard Fine Acting Studio in 2017, Gemma has turned her attention towards completing a Bachelor of Film and Television at Swinburne University of Technology. Two years into the four-year course, she has written and directed four films, one of which will be making the rounds on the 2020 festival circuit with another currently entered into the Unscene Film Festival.

She is also co-founder of JuiceBox Films, a film company dedicated to showcasing local Australian content and supporting up and coming filmmakers and actors.

I’m Michael Chan, 38 years old and living in Geelong. In 2016 I joined Back-to-Back Theatre through Writing & Acting for Film & TV Project as an Artist in Residence and then made my theatrical debut in the GSODA’s production of Chess: The Musical in 2016. In June 2019 I was appointed as a guest artist with the Ensemble to act as an understudy before landed a leading role for the work The Shadow Whose Prey the Hunter Becomes. I've been recognised through ABC’s TV ‘The Mix’ where interviewed about the show and my Member Profile appeared on the Arts Access Australia (AAA) website whilst applied for Travel Grant to attend 2019 Meeting Place held in Canberra. Last year I undertook an My Story project through the City of Greater Geelong. With exemplary achievements for all success in the field of area and/or interest I've been an recipient of the 2020 Geelong Awards for People with a Disability, under the Achievement category. Early this year I performed La Mama’s production of Breeders, where I played multiple roles within the ensemble such as shadow ministers and doctors who cared for a mother who give birth to a child who diagnosed with autism. Recently, my writing piece has appeared on the Writing Place '21 magazine as part of the Arts Access Australia's Meeting Place 2021 conference.

Jack is an actor and photographer from Melbourne. He initially trained as a performer but after hitting the road for several months doing Shakespeare with car-full of stinky actors, he decided to pick up a camera and have a crack at photography. Little did he know he'd become obsessed and now it’s his full time job (in between other theatrical antics he gets up to).

Jack likes people who are brave, nice and tell the truth and he tries to do the same. He’s a big fan of Jeff Buckley and and a band called The Dip who you should definitely check out (www.youtube.com/watch?v=gVp9ia0rui8).

Lansy Feng is a Taiwanese-Australian actor, singer, writer, theatre-maker and filmmaker, living and working in Melbourne. Lansy was trained at National Theatre Drama School and Howard Fine Acting Studio full time program.

In 2018, Lansy created the highly reviewed one-woman cabaret ‘How I Met My Dead Husband’ and toured it across 4 different venues in Melbourne for 4 successful seasons. Lansy also performed in several productions including musicals ‘On My Way’ and ‘Fanciful Imaginings’, theatre production ‘Ophelia Thinks Harder’ and the film, Origin. In 2019, she co-produced and performed in ‘Westerly’, took on lead roles in the short film ‘The Purpose’, Altura Learning’s educational film and the short play ‘Under A Rock’ in The City Parks Play production (MWT).

In 2020, Lansy co-created ‘Bits of Wit’, a web series of original works, including the award-winning short film, ‘Of Course I Speak French’. The same year, Lansy took on the role of Artistic Director of the independent theatre company Wit Incorporated. 

In 2021, she performed in the production ‘Every Second’ and was invited by Maribyrnong City Council to perform at the International Women’s Day event. In 2022, she toured her original play 'Dear Mama 親愛的媽媽' across three venues across Melbourne and ended on a high note at the Bowery Theatre. She also performed in the VCA master theatre production ‘Bull’ and plays the lead of the short film ‘String Theory’. 

In 2023, Lansy has filmed a few projects including the web series ‘Til You Make It’, short film ‘The Usual Please’ and ‘Half Sisters’, and theatre projects including ‘#BacchaeToo’ with Peridot Thetare Inc., ‘Bleached’ and ‘I Me She Him 你和我和她和她’ with Wit Incorporated.

This year in 2024, she performed in the play which is based on the  Chinese historial female hero, ‘Farewell Lady Autumn’ with WHAM theatre company, she also played the lead in Small Ripple Theatre’s Mandarin Musical ‘ Hidden Tunes 弦外之影’.

James is a Chinese-Australian Actor & Creative born in Hong Kong and raised in Melbourne, Australia. James is a Graduate of the Victorian College of the Arts (VCA) and completed a BFA in Acting & Theatre Practice in 2017. He has since appeared on stage and on screen professionally, with TV credits including supporting roles on 'Glitch' (ABC/Netflix) as Wey Yun in 2019 and 'New Gold Mountain' (SBS) as Ah Chua - Opium Seller in 2021. Most recently in 2022 James worked with Wit Inc. on stage and played Sam in ‘Dear Mama..." (Wit Incorporated), followed up by playing the lead character and role of Ken in ‘Ken’s Quest’ (La Mama Theatre).

Sasha Leong is a Malaysian Chinese actor, represented by Who Artists. Sasha has worked on-screen and theatre/live performance for more than nine years. Since moving to Melbourne, she has trained with the faculty at Howard Fine Acting Studios, Katherine Beck, The Rehearsal Room, and The Australian Film and Television Academy (TAFTA).

Sasha worked on independent shorts Match Point (2021), Rocks (2021), Burger with the Lot (2014) and the award-winning, Full Disclosure (2017). She was also an ensemble member in Ghost and The Interview for Snatches 2020. Past productions in Malaysia include Trick or Treat: A Halloween Musical (2014), The Betrayal (shortlisted as a Finalist) in the Short & Sweet Theatre Festival 2012, Kleting Kuning and the Giant Crab (2012) playing both roles of Nyai Rondo and Yuyu Kangkang the Giant Crab, Chow Kit Road: The Musical (2013), ‘Showdown: The Movie’(2016), and infomercial ‘Bisikan Hati’ (2011).

In addition to acting, Sasha is a strong advocate for diverse representation and inclusion in the creative industries. She is excited to work with Wit Incorporated, a theatre company which shares similar values in creating accessible theatre for and by the community. Previous projects and collaborations available at www.sashaleong.com.

Madeleine is a Naarm based actor. She graduated in 2018 with a dip. in Musical Theatre from The Royal Central School of Speech and Drama in London.

After returning to Aus, Madeleine was awarded best actress at Canberra Short Film Festival (2021) for her performance as Jacquie in ‘This River’ (dir. Naomi Fryer, AFTRS) which can be streamed on ABC iview.

She joined Wit Incorporated in 2020, running their kids drama program and as communications manager. She played Meg in Wit Incorporated’s May 2021 production of ‘Every Second’ (dir. Emma Drysdale) and Hen in ‘Bleached’ by Laura Collins (dir. Ruby Rees, 2023).

More recently, she played the titular role in the critically acclaimed ‘Flit’ (dir. Ruby Rees, 2023) at Theatre Works and can next be seen starring in ‘Hold Still’ by Emily Dynes, premiering at MQFF 2024.

Sonia Marcon has always had an obsession for performing. She grew up in Perth and after realising her love for the stage from a young age she began her formal training with a four-year Theatre & Drama degree from Murdoch University. During this time, she was heavily involved in the Perth theatre scene as an actor, singer and dancer. She knew this was her calling when she found she could walk through the city and get recognised by strangers who had seen her in various productions including Beatrice in Shakespeare’s “Much Ado About Nothing”; a Spanish-dancing Death in Lorca’s “Bodas de Sangre (Blood Wedding”); Kate in Pinter’s “Old Times” and Eponine in “Les Misérables”.

Sonia was diagnosed with Multiple Sclerosis four years into her performing life but that did not slow her down. From then she starred as Julie in the Australian comedy “Cosi”, the monologue-heavy role of Chorus in Shakespeare’s “Henry V” plus leading roles in the Guild Equity Trust Award-nominated original thriller “Serpentine” and the Guild Equity Trust Award-winning original drama “Cry Havoc”. She didn’t even let her relocation from Perth to Melbourne get in the way of her performing career. In fact, this move was a highlight regarding her love of inclusive theatre where difference could be embraced with open arms.

Since the move Sonia feels that her obsession for performance has hit an all-time high. She starred as Sicinius in Heartstring’s acclaimed all-female production of Shakespeare’s “Coriolanus”, the hugely successful production of The Regina Monologues by 24 Carrot Productions as well as original theatre shows for La Mama and Owl & Cat Theatre. She has performed at the Malthouse Theatre, the Melba Spiegeltent and ACMI (Australian Centre of the Moving Image) and enjoyed performing in the Melbourne Fringe Festival, the ButohOUT Festival, Midsummer Festival and AustenCon. Her experience also spans to film, television and radio plays. On the latter, she provided voiceover for an animation produced by MS Australia that was viewed by more than 500,000 people in over thirty countries. Sonia is a proud performer with disability and is excited about where her years of experience and professional training will take her.

Aimee Marich is originally from outside Washington DC and has been living in Melbourne for about 3 years. She studied acting and dance at The University of the Arts in Philadelphia. Some acting credits include: Mr. Marmalade, Edison (Edinburgh Fringe), Ophelia Thinks Harder (Wit Inc), The Grant, and The Party Bus. Aimee also works as a Romana’s Pilates instructor in Hawthorne. She is thrilled to be back on stage with Wit Incorporated.

Richard is an actor, writer, comedian, voice over artist and part-time Hawaiian shirt enthusiast. A graduate of the American Musical and Dramatic Academy, Richard is originally from Chicago, Illinois (go Cubs!) where he performed with New Millennium Theatre and Theatre Wit. He spells theatre with an "re" because he's fancy.

Since moving to Australia he has been fortunate enough to appear in numerous wonderful productions. His most recent credits include Dogberry in Much Ado About Nothing (GJ Productions), Martini in One Flew Over the Cuckoo's Nest (Eltham Theatre), Friar Laurence in Romeo and Juliet (GJ Productions) and Peter Shaw in Silent Sky (WLT). ‘Every Second’ marks his first collaboration with Wit Incorporated, and he is very excited to be working on this excellent play with such a talented cast and crew.

Riley Nottingham is an actor, producer and songwriter perhaps best known for starring as Tom in four seasons of Toybox (Seven Network) and Dr Langdon Marsh in Metro Sexual (Nine Network, Crackle, OUTtv). Riley has created, written, produced and starred in multiple TV projects under the banner of his production company including: We are Darren and Riley (Screen QLD, ZPTV), Hitstroke FM (TVNZ, Virgin Australia) and Metro Sexual, as well as live theatrical productions of Ben Schiffer’s acclaimed His Ghostly Heart and the Australian professional premiere of Gilligan’s Island: The Musical - both of which garnered 5 star reviews. Riley portrays Dr Langdon Marsh in the upcoming Metro Sexual season 2 and is starring in a soon-to-be-announced horror film.

Trained at WAAPA and UWA Jennifer is an actor, writer, designer and director. She is co-founder and Company Manager of Wit Incorporated theatre company. Her work gazes adoringly at feminism, sexuality, gender and neurodivergence, as they rummage around in their pockets looking for their shared identity.

JP loves taking characters from our theatrical canon, created by old white dudes for old white dudes and making them her own: including Doug (Cosi), Banquo (Macbeth), and Sherlock Holmes. In 2018, JP brought the house down as Tiggy, Teresa and Zoe in Bombshells, then terrified the lot as The Queen in Ophelia Thinks Harder.

Jennifer designs (set, lighting and graphic) for most of of Wit Incorporated’s productions, has performed in Ophelia Thinks Harder, Bombshells, Outside In, A Scandal in the Weimar, Macbeth, Couch Potato and Cosi, and directed Fairy Tale News and A Hero’s Guide to Saving the Planet.

Jennifer has performed for Melbourne Shakespeare Company, Key Conspirators and Sly Rat Theatre Co. and provides mentoring and support to Fringe artists programmed at Bluestone Church Arts Space. JP takes great joy both in writing new theatre and in working with other writers to develop and refine their own creations.

Anthony is a 23 year old performer who has trained in performance (acting and singing) for nearly a decade, and has had professional dance training for over 4 years. He has over 200 on stage performances under his belt and has been in productions of shows such as ‘Les Misérables’, ‘Wicked’, ‘Cats’, ‘A Midsummer Night’s Dream’ and more. He has trained with with many teachers and coaches for voice, acting and dance including Michael Cormick, Cara Dinley, David Butler, Jacqui Green, Andrew Strano, James Simpson and more. He has also worked with Myles Tankle training in movement and stage combat. Anthony is a passionate Story Teller and is currently exploring many areas of the arts. From composing and writing original music, some of his work being featured in the indie game ‘Cotton Stuffed Nightmares’, to performing in live theatre. He is also in the process of creating and writing a novel. « I believe that music and art and our stories can help us to heal the world. We can connect with each other on such a deep level with art and I look forward to stepping into that role and responsibility. To sharing my passion, love and my light with the world and to having fun along the way.

Jamie is an actor, technician, and designer. Having trained at Curtin University in Perth and more recently at Melbourne Polytechnic. Jamie has been involved in the technical side of theatrical and event lighting since 2014.

Beginning with small independent works featuring in Perth Fringe World and The Fremantle Arts Festival he has been a part of all aspects of lighting from designing to installing and operating.

Since moving to Melbourne in 2016 he has taken time to develop as an overall technician. Graduating from Melbourne Polytechnic’s Live Production course in late 2018 he has seen much growth in the last twelve months, taking opportunities to design shows for The International Comedy Festival, Melbourne Fringe, Melbourne International Arts Festival, and most recently returning from a tour around Australia & New Zealand with A Taste Of Ireland.