Trained at NASDA in New Zealand, Belinda is as an actor, writer, director and children’s drama teacher based in Melbourne.

Known for her immensely hard work and excellent comic timing, Belinda’s recent acting highlights include: the hilarious Meryl, Mary and Winsome monologues in Bombshells, Ginny in the epic prison play Outside In, evil villain The Waster in A Hero’s Guide to Saving the Planet and Macbeth in a gender-flipped production if the same name.

​Co-founder and Artistic Director of Wit Incorporated theatre company, she also runs their children’s drama program, Wit Kids, bringing affordable after school drama to primary aged children.

Belinda’s directing credits include How I Met My Dead Husband, Westerly, Ophelia Thinks Harder, A Scandal in the Weimar and Couch Potato.

She’s written a number of plays, five of which have been staged. ​Fairy Tale News and A Hero’s Guide to Saving the Planet are published by Australian plays, and I Am A Monster was shortlisted for NZ Playmarket’s 2018 Plays for the Young Competition.

Lansy Feng is a Taiwanese-Australian actor, singer, writer, theatre-maker and filmmaker, living and working in Melbourne. Lansy was trained at National Theatre Drama School and Howard Fine Acting Studio full time program.

In 2018, Lansy created the highly reviewed one-woman cabaret ‘How I Met My Dead Husband’ and toured it across 4 different venues in Melbourne for 4 successful seasons. Lansy also performed in several productions including musicals ‘On My Way’ and ‘Fanciful Imaginings’, theatre production ‘Ophelia Thinks Harder’ and the film, Origin. In 2019, she co-produced and performed in ‘Westerly’, took on lead roles in the short film ‘The Purpose’, Altura Learning’s educational film and the short play ‘Under A Rock’ in The City Parks Play production (MWT).

In 2020, Lansy co-created ‘Bits of Wit’, a web series of original works, including the award-winning short film, ‘Of Course I Speak French’. The same year, Lansy took on the role of Artistic Director of the independent theatre company Wit Incorporated. 

In 2021, she performed in the production ‘Every Second’ and was invited by Maribyrnong City Council to perform at the International Women’s Day event. In 2022, she toured her original play 'Dear Mama 親愛的媽媽' across three venues across Melbourne and ended on a high note at the Bowery Theatre. She also performed in the VCA master theatre production ‘Bull’ and plays the lead of the short film ‘String Theory’. 

In 2023, Lansy has filmed a few projects including the web series ‘Til You Make It’, short film ‘The Usual Please’ and ‘Half Sisters’, and theatre projects including ‘#BacchaeToo’ with Peridot Thetare Inc., ‘Bleached’ and ‘I Me She Him 你和我和她和她’ with Wit Incorporated.

This year in 2024, she performed in the play which is based on the  Chinese historial female hero, ‘Farewell Lady Autumn’ with WHAM theatre company, she also played the lead in Small Ripple Theatre’s Mandarin Musical ‘ Hidden Tunes 弦外之影’.

Trained at WAAPA and UWA Jennifer is an actor, writer, designer and director. She is co-founder and Company Manager of Wit Incorporated theatre company. Her work gazes adoringly at feminism, sexuality, gender and neurodivergence, as they rummage around in their pockets looking for their shared identity.

JP loves taking characters from our theatrical canon, created by old white dudes for old white dudes and making them her own: including Doug (Cosi), Banquo (Macbeth), and Sherlock Holmes. In 2018, JP brought the house down as Tiggy, Teresa and Zoe in Bombshells, then terrified the lot as The Queen in Ophelia Thinks Harder.

Jennifer designs (set, lighting and graphic) for most of of Wit Incorporated’s productions, has performed in Ophelia Thinks Harder, Bombshells, Outside In, A Scandal in the Weimar, Macbeth, Couch Potato and Cosi, and directed Fairy Tale News and A Hero’s Guide to Saving the Planet.

Jennifer has performed for Melbourne Shakespeare Company, Key Conspirators and Sly Rat Theatre Co. and provides mentoring and support to Fringe artists programmed at Bluestone Church Arts Space. JP takes great joy both in writing new theatre and in working with other writers to develop and refine their own creations.